Monday, July 7, 2025

3.1.4. EUROPEAN KINGS' SIMILAR CONSTRAINTS


THEY TOO MAKE RICHES CIRCULATE AND THEY TOO ARE KEPT IN CHECK

Remember the African kings

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In Europe, royal "Joyous entries" are symbols of permanence and images of kings are static: Crowns and heavy robes keep them from moving and holding emblems of power prevents using their hands.

Toledo Cathedral, 1220-1240 / zoom
God measuring cosmos and earth using a compass 

            France's Louis IX (Saint Louis), manuscript, 1283 / zoom      England's Richard II, coronation portrait (1377) / zoom
 

   Illuminated manuscript, end 13th century / zoom
Pontius Pilate and Jesus, Castille


Westphalia, 15th century


Altarpiece of Ghent by Hubert and Jan van Eyck, 1532 / zoom

Venice, 16th century

Ramsay Casadesus Rawson

The static image is universal:

Assyrian king Sennacherib, toward 700 BC

By Tom Tomorrow

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The growing economy brings change: In early 16th-century Flanders kings are still immobile and still wear a heavy crown or cumbersome hatBut faces are more expressive and one hand is free. 
 
God the Father Blessing between Two Angels by Gérard David, 1506 / zoom

Moses and Aaron before the Pharaoh, Flanders, toward 1620 / zoom


More here.

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Sunday, July 6, 2025

3.1.5. DETOUR: IMAGES OF CHRIST GO FROM SHEPHERD TO WARRIOR TO KING

 

FOR EARLY CHRISTIANS HE WAS THE GOOD SHEPHERD, A YOUNG MAN WHO RESEMBLED FIGURES OF MYTHOLOGY

Hermès carried a ram on his shoulders to protect against disease.

Toward 570 BC 

 250-300 A.D 

Christians hoped the Roman authorities would miss the Christian reference. 

Roman catacombs, third century / zoom

They used the image to present a young, beardless Jesus, the good shepherd who carried a lamb on his shoulders as he would carry their souls to Heaven. He holds a pail of milk to nourish his people: The origin of the Eucharist, in which a sip of wine and a special biscuit commune with the body of Christ? 

Being surrounded by two sheep emphasized the central figure. The origin of the Trinity?*

*"God in three persons, the Father, Son and the Holy Ghost."

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When Rome makes Christianity its official religion, Christ becomes a warrior. Here he wears the costume of Roman soldiers and emperors' purple cloak: 

      Zoom

Ravenna, sixth century 

The figure becomes Saint Michael slaying the dragon, the combat of Good against Evil. 

 That image would symbolize
 crushing the first working-class insurrection.

Then he becomes a king: 

                        Zoom

  Basilica of Santa Pudenziana, Rome, fifth century  

 

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Friday, July 4, 2025

3.1.6. COMMERCIAL PEOPLES' EMPHASIZED SUBORDINATION


KINGS FAVOR OUTSIDERS BECAUSE THEY ARE VULNERABLE, SO EASY TO CONTROL 

In Africa rulers who are animist or Christian impose Muslim merchants, whose appearance, religion and customs separate them from the population.

  • In turn-of-the-18th-century Ashanti (Ghana) the animist ruler welcomes Muslim traders but confiscates the gold of locals. 

  • The king of Christian Shoa (Ethiopia) lets Muslims trade in goods that he monopolizes, asks few taxes and favors them in disputes at about the same time,
-- Confiscates gold: Kwame Arhin, Aspects of the Ashanti northern trade in the 19th century,
 "Africa," XL 4, 363-373.
  Favors to Muslims: Mordechai, Ethiopia, The Era of the Princes, 1968, p. 173


Outsiders (that is, merchants) have no provisions, guides or contact with the population until the kings approves them:

 Dutch Ambassadors at the Court of Garcia II, King of Kongo, 1668 / zoom
The Dutch ambassadors' subservience comes from being associated with traders, the only foreigners.  

  • In Bornu ruler (Northern Nigeria) a British mission is completely isolated before it sees the king, but then "our hut was filled with so many visitors that we could take no rest and the heat was unbearable."
--  Narrative of Travels and Discoveries in Northern and Central Africa in 1821, 1822, 1823 by Hugh Clapperton, Denham Dixon, W. Oudney, 1824, p. 67.

  • In Darfur, the merchant W.G. Browne finds his letters of recommendation useless until he has seen the Sultan, "for until then no one knew how to treat me." 
--  Travels in Africa, Egypt and Syria from the year 1792 to 1798 
by W.G. Browne, 2nd ed., 1806, p. 212.

  • In Bundu (Senegal) the explorer Raffenel leaves the capital without the king's permission and cannot even obtain water.
-- Anne Raffenel, Voyage dans l'Afrique occidentale exécuté en
1843 et 1844, 1846, I, p. 55.
-- More references : Aubin 447, n. 45.
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In early medieval Europe only Jews can enter commercial professions, and only Christians own land. The fleur de lis show the French king giving them, not Christians, the right to trade.

No date or origin zoom
The red and white circles indicate Jews.

   Marco Polo arriving at the Court of Kublai Khan by Jehan de Grise  / zoom
Flanders toward 1340.

  • Jews pay tribute and are useful scapegoats. 

Rabbis offer treasure to Alexander the Great: Greece, 14th century 

      Zoom
Jews were hated as usurers, but the belief they had "killed Christ" was due to the Church and led to their being burned alive in many places that the Black Death hit. Crusaders on their way to Jerusalem did the same.

  • When the expanding economy brings the rise of local entrepreneurs, Jews are definitively banned.

Zoom 


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As the French economy expands Christians replace Jews. The Church and stronger monarchy contain them: At the Saint-Denis fair, the abbot dominates the traders and his benediction is an act of authority, and Louis XIV's arcs loom over two major trade routes (in 1674).

                                                                                                                                                          Zoom

Both arc photos / Claude Abron
The larger arch (at porte Saint Denis, 10th district) honors monarchy by hovering over the route that leads to the royal graves. Its sculptures honor the king himself. 

The inscription over the smaller arch (at porte Saint-Martin) states that the merchants of Paris have financed both monuments, "in homage to the great king."

Those merchants say "We are here!,"
implying change to come.

End of this section.

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