WE TEND TO GLOSS OVER WHAT WE DON'T UNDERSTAND
Take an explorer's mistake. He contrasts Western dancing (on the right) with that of "black devils."
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"Grant Dancing with Ukelema," Second Visit to Discover the Sources of the Nile by John Speke, London, 1864
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The youths highlight the chief's exploits as villagers look on.
At other times men and women dance in separate lines, never touching. The dance reflects a collective society, like that of European royal courts:
Since the explorer has the artist draw his partner's astonishment, he knows he's broken the rules. He thinks he's done the right thing — showing Africans how to dance.
Deciphering the past means acting like a detective, pondering what seems odd.
A painting placed too high for viewing, urban voids too vast for traffic, a king replacing Jesus or bright yellow liveries when discretion was indispensable, can be clues to situations that we do not spontaneously understand.
"She had been trained to look for anomalies,"
is how the heroine of a crime novel is introduced.
-- The Silence of the Lambs by Thomas Harris, 1988
Historians should be too.
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