SPANISH KINGS TOO OBTAIN NEW RESOURCES,
AND THEIR IMAGE CHANGES
AS DOES THAT OF FRENCH KINGS
Charles V by Titien, 1548, Prado |
• But those resources come from the outside,
not from local producers
• They finance 150 years of hegemony
and Spain's Golden Age
with its churches, theater decors
and thousands of plays.
and Spain's Golden Age
with its churches, theater decors
and thousands of plays.
• They finance the Inquisition as well,
which takes off in the 16th century
and works as do all official neutralizations of wealth
which takes off in the 16th century
and works as do all official neutralizations of wealth
° It uses up funds...
-- The faith of remembrance: Marano labyrinths,
by Nathan Wachtel, 2009
by Nathan Wachtel, 2009
°...while reinforcing power...
Victims must repent before the king (if outside Madrid, before his representative). They learn afterwards whether they will be pardoned or immediately burnt.
° ...with the difference that the spectacle
is burning alive,
which flames and night make still more terrifying
But not Protestants,
is burning alive,
which flames and night make still more terrifying
Penitents by Goya, end 18th century |
• The regime makes the defenseless the enemy:
Forcibly converted Jews or Muslims
who may still retain ancestral practices.
But not Protestants,
whom the archaic monarchy
keeps from even starting.
The facade is rebuilt in the 18th century -- with 16th-century decor.
...and when its outside revenues give out, France sucks it into its orbit as inexorably as African producers sweep away the old kingdoms when the Atlantic slave trade ends. |
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